DEATH BLUES


'Death Blues' is a multidisciplinary project by Jon Mueller that addresses the inevitability of death as impetus to become more present in each moment.

deathblues

A Measure of Something

JSOnline’s Mary Louise Schumaker attended both nights of the recent Death Blues (no time like the present) event at Alverno Presents and wrote the most thorough review of the show seen yet. Not just a review, Schumaker also reveals some thoughts of her own that the event inspired, which was the true aim of the event itself.

For those that couldn’t make it, her writing might be the next closest thing, sans your own experience with the input provided.

Thanks again to the 100s who attended, and I hope each of you had your own quality experience there.

The Aftermath

The two-night sold out event “Death Blues (no time like the present)” took place this past weekend, November 16 and 17, 2012, as part of Alverno Presents at Alverno College. It was an intense and emotionally charged event for many involved, and the aim of creating an experience for all present was achieved. Also achieved was a sense of uncertainty and personal focus, as evidenced by some reviews of the event:

AVclub - Milwaukee

Milwaukee Magazine

Youphoria

Eternal thanks for all those who worked so hard to make it happen, and to those who traveled near and far to share the experience.

Here’s a list of credits:

Concept and direction: Jon Mueller
Alverno Presents director: David Ravel
Technical Director: Rollie Layman
Assistant Director: Rory Trainor
Publicity assistance: Blyth Meier, Milan Zori
Molly Shanahan: movement performance
Dylan Schleicher: text and design
Gretchen Morganstern/Adirondack Aromatherapy: scent
And You Will Know Us by the Trail of Crumbs: taste
Jon Mueller: intro, spoken word and drums
Nathaniel Heuer: upright bass
Ken Palme: hammered acoustic guitar
Jim Warchol: hammered acoustic guitar
Marielle Allschwang: vocals and percussion
Erin Wolf: vocals and tapes
Aaron Schleicher: vocals and percussion
Damian Strigens: vocals and percussion
Betty Blexrud-Strigens: vocals
Mark Waldoch: choir
Amelinda Burich: choir
Chris DeMay: choir
Isabelle Hughes: choir
Alexandria Reindl: choir
Grace McKirdy: choir
Dixie Jacobs: choir
Jen Schattschneider-Roach: choir
Todd Michael: choir
Jessi Kolberg: choir
Margaret Muza: choir

This event was dedicated to Phylis Ravel. We miss you.

The Guide

At the Death Blues events at Alverno Presents, November 16 and 17, 2012, Marielle Allschwang was one of the solo vocalists in the labyrinth. The scent at her station was a top note based scent, May Chang, which corresponds with the color green. She held the Shoofly quilt block pattern, signifying guidance and direction.

The Change

At the Death Blues events at Alverno Presents, November 16 and 17, 2012, Erin Wolf was one of the solo vocalists in the labyrinth. The scent at her station was a mid note based scent, Ylang Ylang, which corresponds with the color yellow. She held the Bowtie/Hourglass quilt block pattern, signifying change.

The Decision

At the Death Blues events at Alverno Presents, November 16 and 17, 2012, Betty Strigens was one of the solo vocalists in the labyrinth. The scent at her station was a bottom note based scent, Amyris, which corresponds with the color white. She held the Crossroads quilt block pattern, signifying a decision to be made.

The Celebration and Opportunity of Each Moment

Death Blues, the manifesto, was published in the 100th issue of ChangeThis today.ChangeThis was started years ago by author Seth Godin as a platform for spreading ideas. Certainly, this is an idea I hope can spread.

“How much time is left? Do we know? Does our plan know? What happens when we thoroughly hold and understand that our lives are finite? How does this understanding of our end shape our present? And how do we become more ‘present?’ Because each moment is an opportunity and a decision.”

Download the full manifesto here.

Thanks for taking the time to read it.


Now

In April of 2011 I was in New Orleans following a horrible flu. Running a high fever for 4 days and loaded on antibiotics, my health was restored by the day I left New Orleans to come back home. It was during this final day there that I imagined Death Blues. I imagined it not only as music, but also as a situation. A situation certainly present in post-Katrina New Orleans, but clearly present in normal, everyday lives all around the world. We need to celebrate the life we have while we can, and we need to pursue what we find positive about it to the fullest.

Last week, I went back to New Orleans. Less than 72 hours before getting on the plane, I was rushed to the hospital with the worst pain I’ve ever felt. I came to terms with the fact that I may be dying. It seemed very logical and reasonable based on what I was experiencing. By the next morning, a kidney stone had passed, and after an afternoon and evening of rest, I arrived in New Orleans.

I can’t deny that it felt like a second chance, and also the strange irony of coincidence with health issues so close to traveling to this city. Both of these experiences have shaped my view not only of this project, but also of the very reality of existence.

Ultimately, that feeling of chance should be constant. Although I’m now seeking a sense of normalcy (if that exists), I’m also highly aware of not taking things for granted, or putting off things that I can do now.

Now is it. Now is huge.

Yet it is not it.

Alverno Presents

Momentum builds and multiple hands and minds plow forward on various activities in preparation for Alverno Presents: Death Blues (no time like the present), to be held at the Pitman Theatre at Alverno College on November 16th and 17th. Tickets are moving quickly and only 100 are available for each night.

Here is a discussion between Jon Mueller, David Ravel (AP director), and Dylan Schleicher (DB participant) last winter when the event was just beginning to take shape.

Meanwhile, tickets are being sold to people throughout the country, which is surprising and humbling. Everyone involved is thankful and honored for this support, and we are confident the event will be worth the travel and time, whether from across town, or across states. Thank you!

Higher Frequency

For shorter, additional, and perhaps more frequent updates, you can now follow Death Blues on Twitter.